Lodged-In Voices

About LOOK;

LOOK; is a space as printed matter. As an ongoing series of publications, LOOK; extends the space of our physical institution, La Loge, in Brussels. The temporality of a project sits between its beginning and end, and LOOK; offers us the possibility to think about what-if (speculations and deep night thoughts), what could-have-been (unrealized ideas and things untold) and what-could-be-next (intuitions, desires, and future conversations). Reality is not factual, LOOK; enables us to say something about La Loge’s entangled web of prefigurations, frustrations, and aspirations; our sentiments, complicities, and affinities with our public, colleagues, and friends. LOOK; is an echo chamber of sorts; its light, consumable, and affordable format allows us to surpass the temporality and spatiality of our physical institution while enabling new and existing content to circulate through different contexts. Limitations become advantages; secret doors open up.

Issue 1: Lodged-in Voices

Lodged-in Voices offers room to a set of concerns related to language and space which emerge from the practice of running an institution that works, houses, lodges, talks, produces, and cares. As we reflect on our institutional ethics, vocabulary, proximity to, and playfulness within the scale and conditions of La Loge, the artists, architects, friends, colleagues, and acquaintances who contribute to what we do are all doing the same from the perspective of their own discipline and research; be it architecture, art, graphic design, choreography, curating, or writing. Lodged-in Voices comprises newly commissioned texts by artists Hanne Lippard, Andros Zins-Browne, Michael Van den Abeele, and Andreas Angelidakis.

La Loge (Ed.)
LOOK; Issue 1: Lodged-in Voices
Texts by Hanne Lippard, Andros Zins-Browne, Michael Van den Abeele, and Andreas Angelidakis, Laura Herman and Anne-Claire Schmitz.
Design by Boy Vereecken
June 2018, English
20 x 26.5 cm, 52 pages, softcover
15 euros 


Andros Zins-Browne(born in 1981, New York) is a choreographer and dancer based in Brussels. His work consists of live and hybrid environments at the intersection between installation, performance and conceptual dance. Crossing between stage and exhibition spaces, he explores the ways that images, movement and matter can interact until they begin to take on each other’s properties. Notes on Intimacy was originally commissioned as a contribution to How do Buildings Care, a seminar in three parts openly investigating how buildings facilitate or accommodate notions of care. This text was performed live in the presence of about 50 people on 24 September 2018 in the intimacy and darkness of La Loge’s former temple space. 

Andreas Angelidakis (born in 1968, Athens) was trained as an architect but after graduation his practice quickly evolved from building to art making, curating and narrating. Andreas could be considered a soft activist using existing and virtual environments as spaces to acknowledge and analyse the ambivalences of our cultural history, socio-political events and personal feelings. Andreas’s work looks at architecture from the perspective of a self-reflective body, longing for a plurality of relationships and experiences. La Loge and Andreas Angelidakis collaborated on an installation of his videos accompanied by a voice-over in January 2018. We extended our interest in Andreas’s narrative practice by inviting him to sketch a portrait of the space in which we perform our daily work and develop our programme.

Hanne Lippard (born in 1984, Milton Keynes) is an artist, performer and poet living in Berlin. Her work explores language through the texture and the rhythm of the voice. Her work comprises live performances in which she turns common speech into melodic poetry and installations that outline a particular tonality, design and space for speech to resonate within. Hanne Lippard participated in the group exhibition Voici des fleurs held at La Loge in the spring of 2018 with an installation entitled How to get rid of the body. Our collaboration lives on in Tripod, a second commissioned piece for this publication.

Michael Van den Abeele (born in 1974, Brussels) is an artist and writer living in Brussels. His paintings, images, sculptures, videos, sound pieces investigate the gap and relations between perception, reality and truth. Along these, he has developed fictional and sustainable dialogues with the artists, architects and places that surround him. The resulting texts often accompany or prefigure projects. Afters Sprawl is the outcome of a speculative commission freely arising from the particular structure, space and architecture of La Loge. Boy Vereecken (born in 1981, Ghent) is an editorial designer, researcher and publisher living in Brussels. He was appointed in 2012 to conceive a visual identity for La Loge, one that would immediately set the tone, language and attitude adopted by the future institution. His works analyse sign systems as the plural outcomes of the policies affecting, challenging and directing our contemporary reality.

Roe Ethridge & Zin Taylor, The Ceremony and The Spirit

Published on the occasion of the artists’ exhibition of the same name at La Loge, Brussels, The Ceremony And The Spirit is based on the dialogue Taylor and Ethridge created with the space, a former freemason’s temple. The triangular relation between La Loge and the artists takes shape in the site specific ceremonial objects created by Taylor, Ethridge’s photographs revealing the “spirit,” and a text consisting of emails between the two men. 'I guess I’m trying to find a structure where you and I get to throw in our opinions about stuff, our ideas about stuff and have those negotiated within the composition… this way we could use the star motif, and anything else we wanted, as we’re at the service of the building…'

The Ceremony and the Spirit 
By Roe Ethridge & Zin Taylor 
Co-published by Karma (New York) and La Loge (Brussels)
2013, English
72 pages
33.02 x 22.86 cm
Edition of 500
ISBN 978-1-93856-031-6

The publication can be purchased here.

For more info about the publication please mail to

Sophie Nys, Lyrics for Arto Lindsay
Lyrics for Arto Lindsay

This publication was presented on the occasion of the exhibition Parque do Flamengo, 2011.

Sophie Nys 
Lyrics for Arto Lindsay 
Published by Grotto Publications
20,7 x 29 cm
250 copies
8 p.

This publication can be purchased here.

For more info about the publication please mail to 

Koenraad Dedobbeleer & Kris Kimpe, UP
cover of UP 09 (bis), starring: Absalon’s use of the former Jaques Lipchitz studio, built in 1923 by Le Corbusier and located 9, allée des Pins in 92100 Boulogne -sur- Seine.

UP is a fanzine dedicated to a singular and subjective love of the built that is produced, released, and distributed by artist Koenraad Dedobbeleer and architect Kris Kimpe. Each issue is presented in A5, stapled or concertina folded, and features photography by Dedobbeleer, Kimpe and others of a single work of architecture that inspires them. The photography is both a documentation of and critical reponse to the architecture.

The fanzines were presented at La Loge on the occasion of UP, a series of encounters that took place in March 2014. For four Sundays, UP opened the doors of La Loge for afternoon discussions about architecture and design with invited guests, extending the mode of their zine off the page and into event form.

La Loge supported the production of following UP issues 09, 13, 15, 16 and 17
Please note the UP issues are distributed on a informal basis. For more info mail to

From Some Paintings. 2000-2010 by Nathalie Du Pasquier
Nathalie Du Pasquier 'From Some Paintings', a project curated by Luca Lo Pinto at La Loge, 2017 - Copyright & Courtesy of the artist and La Loge.

Published on the occasion of From Some Paintings by Nathalie Du Pasquier (18/02/17 - 22/04/17), the publication entitled From Some Paintings. 2000-2010 follows the same principle of the exhibition, comprising a selection of still life paintings made between 2000 and 2010. Entirely black and white, the images alternate between full reproductions and smaller details.

Co-published by La Loge and NERO magazine and kindly supported by A Palazzo Gallery.
April 2016
limited edition of 500 copies
ISBN 978-88-97503-93-4

For more info about the publication please mail to 

After Service, a selection of projects by Stéphane Barbier Bouvet

After Service, a selection of projects by Stéphane Barbier Bouvet, the artist’s first non-self produced and distributed publication. The book gathers all the documentation of the different projects featured in La Loge’s exhibition 'After Service'. Adopting the organization of a stack or portfolio, the publication brings a meditative continuity to Barbier Bouvet’s multifaceted practice, both serving as and exceeding the format of the traditional exhibition catalog. While providing information on the contexts of apparition of a selection of objects developed by Barbier Bouvet over the years, this book also adopts the artist’s own attitude towards alternative modes of artistic labor, self-presentation, and publishing.

After Service, a selection of projects by Stéphane Barbier Bouvet

Published by the artist and La Loge
June 2017, English
124 pages
13 x 20 cm

ISBN 978-2-9538548-4-8

For more info about the publication please mail to

Boy Vereecken (ed.) Signature Strengths

When first introduced, mass-market paperbacks sparked a publishing revolution. Critics despised them as lowbrow diversions, which did not impact their popularity. But the business model barely worked. Prices were so low, the books needed to sell in incredible numbers to make a profit. An industry norm emerged to pump up sales, whereby most of the novels were wrapped with images of women in provocative settings and states of undress. Many readers were duly provoked to purchase, but this recurring allure eventually lost its sway.

Simultaneously, an opposing theme of essentialism was asserting itself in grocery stores. The No Frills brand presented goods in unadorned packaging. It was as if the very intention to sell had been excised from the label’s straightforward design and terse declaration of contents—SALAD DRESSING, FRUIT PRESERVES, LAUNDRY DETERGENT. No Frills stripped the cloying appeal of traditional marketing and replaced it with a candid offering of canned beets and corned beef, pure and plain.

Inspired by this direct approach, Terry Bisson and art director Frank Kozelek developed the No-Frills book series in the early 1980s. Signature Strengths, conceived and edited by Boy Vereecken, reproduces in full the four books published in the series—Western, Mystery, Science Fiction, and Romance—as well as critical evaluations of the fascinating experimental endeavor in genre writing and mass-market publishing.

Boy Vereecken (Ed.)
Signature Strengths
Introduction by Mark Mann
Co-published by Sternberg Press and La Loge
Design by Boy Vereecken
October 2016, English
19.5 x 26.5 cm, 112 pages, 8 color ill., softcover
ISBN 978-3-95679-258-8

The publication can be purchased here