Performance

In collaboration with artist and performer Castélie Yalombo, Euridice Zaituna Kala presents a performance of the piece [UN]Perceptible Frequencies, A medley Trou Noir (2025) and Composition in III parts (2026), presented in the exhibition Daylighting: maar het is het water dat spreekt/mais c'est l'eau qui parle.

[UN]Perceptible Frequencies is a two-part performance that takes shape from two narratives of transmission.

The first one titled Le trou noir (2025) is a fictional polyphonic narrative weaving together four generations of women—from the artist’s grandmother to her daughter—creates a space for a more intimate resonance with the rest of the exhibition. The atmosphere and the room itself, edged with tinted veils, invite visitors to explore personal relationships with land, memory, transmission, and displacement. Originally from Mozambique, Euridice Zaituna Kala lets these words, akin to childhood memories, reveal the intergenerational scars of Portuguese colonisation on bodies and on nature, and its lasting effects of subjugation. The second story is Composition in Three Parts. It brings together, for the duration of an experiment, the world of the garden and the voice of Thao Ngo, a nursery owner dedicated to introducing native species suited to their native soils.

This piece allows us to perceive gestures embedded in invisible contexts that affect us, and whose distant realities elude us. [UN] Perceptible Frequencies invites us to sift, to discern, and to find within the fog the sounds that enable us to sketch a dialogue with this planet we inhabit, yet which remains partly unknown.

Practical Information

Wednesday, April 22,
5:30-6:30 / 7:30–8:30 p.m.,
exhibition opens from 5:00 p.m.

Saturday, April 25,
2:00-3:00 / 4:00-5:00 p.m.,
exhibition opens from 1:00 p.m.

The performance takes place twice a day and lasts approximately one hour.
Admission is free, with limited capacity. We recommend reserving in advance via info@la-loge.be

Language: English

Image: Euridice Zaituna Kala, Nuit américaine, 2025. Courtesy of the artist and galerie anne barault. (c) Adagp Paris 2026